00:04 Allison Miner introduces Chris Thomas who was influenced by his father Tabby Thomas. He and his father had differing opinions on a career in music. Playing professionaly since he was 11 years old, Thomas with Joe Tex, Silas Hogan, and many other blues players. Jimi Hendrix was an additional influence. He talks about popular rock music versus the blues. 06:00 Thomas discusses self-education of and introduction to The Blues. Warren McGee & Kevin White were in his high school band. Alvin Batiste was one of his teachers at Southern University, but Thomas got his primary musical education at his father’s club, Tabby’s Blues Box. 10:30 Thomas discusses experiences and playing for an Arhoolie recording. He played all of the instruments on the album for $600. Nick Spitzer – a folklorists – helped him get the recording. They discuss that recordings were once to preserve music but now are to make money. 15:10 Thomas moves Austin, Texas, a vibrant blues scene, where he was introduced to Albert King, Memphis Slim, Stevie Ray Vaughan. Minor compliments Thomas’ playing, singing, writing, and producing on his latest album. They listen to “Angel Lady”. 22:00 Thomas discusses his creative process. Minor plays “Wanna Die With a Smile on my Face” and “Help Us Somebody” with explanation from Thomas. Another song is played. 29:30 Thomas defines his music as The Blues; and the difference between the contemporary and traditional blues music. He refers to Ice Cube, NWA, and other Hip Hop acts as contemporary blues. Thomas discusses the historical, cultural value of listening to The Blues. 36:00 Continued discussion of the contempory blues movement. 39:00 Discussion regarding the expressive value of music. Thomas performs on his guitar. The interview ends after the performance.